Natalia Ibáñez Lario
I N T E R N E T F A M O U S #LaBAE Second Solo Show @ Yautepec Gallery Merexico City
I N T E R N E T F A M O U S Album 2016 #LaBAE
C H O N Í S I M A #LaBAE _ Official Video (NSFW) _ Directed Nick Zedd _ Visual Concept by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ Girls Dorothy Hexa Howard Zayda Gómez
I L O V E M Y H A T E R S _ Official Video (NSFW) _ Directed Nick Zedd _ Visual & Snapchat Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber
I N T E R N E T F A M O U S _ Official Video (NSFW) _ Directed Nick Zedd _ Visual, SnapChat & 3D Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ 3D by Bonequi
L A S B A E S _ Official Video (NSFW) _ Directed Nick Zedd _ Visual & SnapChat Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ Girls Dorothy Hexa Howard Zayda Gómez
Y O S O Y #LaBAE _ Official Video (NSFW) _ Directed Nick Zedd _ Visual & SnapChat Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ Girls Dorothy Hexa Howard Zayda Gómez
C H O N Í S I M A #LaBAE_ Official Trailer (NSFW) _ Directed Nick Zedd _ Visual & Snapchat Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber
I L O V E M Y H A T E R S _ Official Trailer (NSFW) _ Directed Nick Zedd _ Visual & Snapchat Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber
I N T E R N E T F A M O U S _ Official Trailer (NSFW) _ Directed Nick Zedd _ Visual, Snapchat & 3D Concepts by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ 3D by Bonequi
L A S B A E S _ Official Trailer (NSFW) _ Directed Nick Zedd _ Visual & Snapchat Concepts by Natalia Ibáñez Lario _ Camera and Editingd by Eduardo Solano Berber _ Girls Dorothy Hexa Howard Zayda Gómez
Y O S O Y #LaBAE _ Official Trailer (NSFW) _ Directed Nick Zedd _ Visual Concept by Natalia Ibáñez Lario _ Camera and Editing by Eduardo Solano Berber _ Girls Dorothy Hexa Howard Zayda Gómez
G I R L P O W E R produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
.C O M . C O M .C O M .C O M .C O M produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
B E L F I E produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
T R A V E L L I N G A N D S E L F I E produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
C H O N Í S I M A # L A B A E produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
I L O V E M Y H A T E R S produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
L A S B A E S produced by Go Golden @gogoldenjunk en Soundcloud as part of my Musical Project #LaBAE
Y O S O Y # L A B A E produced by Mafia Boy as part of my Music Project #LaBAE
Yo Soy #LaBAE producida por Mafia Boy en YouTube como parte de mi Proyecto Musical #LaBAE
@beforeanyoneelse_antesquenadie
i-D interview by Dorothée Dupuis
https://i-d.vice.com/es_mx/article/cosmticos-instagram-y-reggaeton-en-el-arte-de-natalia-ibaez-lario
@BEFOREANYONEELSE_ANTESQUENADIE #BAE #BeforeAnyoneElse #AQN #AntesQueNadie Is an ongoing Instagram show on @Instagram Curated by Natalia Ibáñez Lario nataliailario.org BEFOREANYONEELSE_ANTESQUENADIE Is an Instagram show on the Instagram account: @beforeanyoneelse_antesquenadie The exhibition will be launched simultaneously online and IRL on October 13th (8pm, UTC-5) at Yautepec Gallery in Mexico City. Presenting works from over 40 international artists based in New York, London, Berlin and Mexico City. The pieces hosted on Instagram will be viewable through a live streaming of posts selected by Natalia Ibáñez Lario, whilst the account can be accessed by Instagram users. Attendees at the event and people elsewhere have the opportunity to regram, like and comment in realtime and NAAFI will be playing at the gallery while the performance throughout the evening. La exposición se lanzará simultáneamente IRL y online el 13 de Octubre (8pm, UTC-5) en la galería Yautepec en México Df. Presentando trabajos de más de 40 artistas internacionales basados en Nueva York, Londres, Berlin y México Df. ***When #BAE #AQN does an Instagram Show on @Instagram #BAE #AQN #Mexico ✅✳️✅ #nataliaibanezlario™ People You May Know, curated by Débora Delmar at Bosse & Baum, London *Business as Usual, curated by Perce Jerom at Turf Projects Gallery, London OXXO y Rosas, bienal del OXXO, 2015 now what, curated by Brett W Schultz #GEMINISS collaborative work for New Album with @dj_smurphy @N_A_A_F_I #nataliaibanezlario ♪(๑ᴖ◡ᴖ๑)♪ Natalia Ibáñez Lario *Upcoming, Solo show at COAA, opening reception december 11th 2014, Spain. Éxodo o diáspora?, Group show curated by Blanca de la Torres, Espacio Liso, Opening reception September 18th, 2014, Spain Artists: Laura F. Gibellini (Nueva York, EEUU), Carlos Irijalba (Amsterdam, Holanda), Aitor Lajarín (Los Ángeles, EEUU), Itziar Barrio (Nueva York, EEUU), Juan Zamora (Nómada), Pepo Salazar, (París, Francia), Diana Coca (Pekín, China), Jota Izquierdo (México DF, México), Momu & No Es (Rotterdam, Holanda), Natalia Ibáñez Lario (México DF, México/Nueva York, EEUU), PSJM (Berlín, Alemania). nataliaibanezlario.org by Natalia Ibáñez Lario @ GP 35cm3 de arte, opening reception Agust 20th, C/ Veneras, Madrid Music by Julian Lede for nataliaibanezlario.org *Instagram* tinnipoo __________________________________________________________________________________ 23 w #surgery #nopainnogain #forever21 #moschino #moschinoiphonecase #jeremyscott #itsjeremyscott tinnipoo lilpil99 tinnipoo lilpil99 tinnipoo lilpil99 (●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ Bienal Pintura Museo Rufino Tamayo, opening reception August 14th, 2014, Mexico City (●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ *Appplied Arts* *Artes Aplicadas*, solo show, Museo Pablo Serrano IAACC, Zaragoza, Spain, July 3rd_August 3rd, 2014 *Instagram* tinnipoo ________________________________________________13 sem tinnipoo #Cp #nopainnogain #forever21 tinnipoo Day 6 of 4D facelift - bruising coming thru but there´s more lift to the face than before! Nasolabial lines begone!! tinnipoo @chefcaffy WTFFFFFF!!! That´s f extortion! My doctor is usually 10K per syringe and he has the hands of a god. chefcaffy @tinnipoo hee hee I can´t waint to hang out wif u!!! Haha I wanna be 18 again! But u know I get botox done at 分 tinnipoo @chefcaffy haha I can only hope to stay 25 at my age! (●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ (●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ One Bite NO SPACE @ OTHER Projects, Berlin Group Show Annabelle Arlie, Alex Bienstock, Andrew Birk, Ulrike Buck, Debora Delmar Corp., Natalia Ibáñez Lario, Rachel de Joode, Daniel Keller, Katharina Fengler, Ella Plevin, VAISSLLE (●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ LA FÓRMULA ANTIENVEJECINIENTO Y ANTIMISERIA / THE ANTI-AGING AND ANTI-MISERY FORMULA Glorieta Insurgentes, Mexico City. Hoy en día. Tropically-tinged neo-goths customized like hearses that just left the set of Pimp My Ride — products as posture, status über alles. A bull market on young flesh and the transnational bodysnatchers are all in, buying futures at mere pesos and don’t the kids just love it. There’s no other direction but expiration. OMG youth is so hot right now. Forever 21? Not a chance, you’re already over the Hill Street Blues and you don’t even get that reference. But young flesh looks so good. To be moist again. Even the youth are buying youth. Why wait for estrogen when you’ve got parabens? They’re just hormoaning your name. You don’t feel like yourself today. And you aren’t you. You’re the new you. You’ve been permanently modified. You rewrote your code, changed your program. You’re junkspace now. And I love what you do, don’t you know that you’re toxic? Abstract biopharmaceutical humanoids buying organic produce for half inorganic bodies. Fluorescent alien dildos penetrating thick, hard, acrylic silhouettes. Manga contact lenses, silicon orthopedics, human hair and fantasy-color artificial extensions cast in resin prosthetic molds. Thermoformed Gutai scanner paintings of eukaryotic cells spreading their wet organelles all over fat brushstrokes of concha de nácar, snake and insect essences (and other cosmetic technologies). Bi-white, self-tan, shine bright like a blood diamond. Open happiness. LA FÓRMULA ANTIENVEJECINIENTO Y ANTIMISERIA / THE ANTI-AGING AND ANTI-MISERY FORMULA Glorieta Insurgentes, Ciudad de México. Hoy en día. Góticos tropicalmente teñidos y arreglados como carrozas fúnebres recién salidas del set de Enchúlame la máquina —los productos son postura, estatus über alles. Es una bolsa de valores en subida de piel joven, y allí están todos los usurpadores de cuerpos trasnacionales, comprando futuros por unos cuantos pesos y, ¿a poco no les encanta a los chavos? No hay más dirección que la caducidad. OMG la juventud está tan de moda ahorita. ¿Forever 21? Ni de broma, ya tienes más años que los Años maravillosos y ni siquiera sabes a qué me refiero. Pero la piel joven se ve tan bien. Estar hidratado nuevamente. Hasta la juventud está comprando juventud. ¿Para qué esperas al estrógeno cuando aquí tienes parabenos? Las hormonas están llamamando tu nombre. Hoy no te sientes como tú mismo. Y tú no eres tú. Eres la versión nueva de ti. Permanentemente modificada. Reescribiste tu código, cambiaste tu programa. Ahora eres junkspace. Y me encanta lo que haces, ¿qué no sabes que eres tóxico? Humanoides biofarmacológicos abstractos compran productos orgánicos para cuerpos mitad inorgánicos. Vibradores fluorescentes alienígenas penetran siluetas acrílicas, espesas y duras. Lentes de contacto de fans Manga, ortopedia de silicona, extensiones de pelo humano y sintéticas de colores fantasia forjadas en moldes prostéticos de resina. Pinturas termoformadas Gutai en escaners de células eukaryotas esparciendo sus orgánulos mojados en las anchas pinceladas de crema concha de nácar, y esencias de serpientes e insectos (así como otras tecnologías cosméticas). Bi-White, autobronceado, brilla como un diamante de sangre. Destapa la felicidad. (Traducción por Gabriela Jauregui). MATERIA ART FAIR 2014, Yautepec Gallery Booth Débora Delmar Corp and Natalia Ibáñez Lario Groupshow Fabienne Audéoud, Natalie Czech, Olivia Dunbar, Sophie Erlund, Vidya Gastaldon, Isa Genzken, Isabella Girtanner, Roni Horn, Natalia Ibáñez Lario, Sherrie Levine, Yoan mudry, NG, Mai-Thu Perret, Beatriz Preciado, Carissa rodriguez, Kay Rosen, Anne Laure Sacriste, Cosima Von Bonin, Emily Wardill, Martina-Sofie Wildberger Curated by Petunia Fri Art, Centre d'art de Fribourg / Kunsthalle Freiburg / Fribourg Art Center Switzerland Pro Choice, Fri Art, Centre d'art de Fribourg / Kunsthalle Freiburg Dashboard Widgets #3, 2014 Dashboard Widgets #3 from Natalia Ibáñez Lario on Vimeo. Group Show, Demasiado Futuro, SOMA, Centro Cultural de España en México CCEMx, Mexico City
#BeforeAnyoneElseAntesQueNadie
Es una Expo en curso sobre Instagram en @Instagram
#NataliaIbanezLario
@nataliailario
#nataliaibanezlario™
Las piezas publicadas en Instagram se podrán ver a través de un life streaming de posts seleccionados por Natalia Ibáñez Lario, mientras que a la cuenta pueden acceder los usuarios de Instagram.
Asistentes al evento y gente de cualquier parte tienen la oportunidad de regar, like y comentar en tiempo real y NAAFI estará tocando en la galería durante la performance
***When #BAE #AQN says that money, status, friends, work, time and love are becoming something exclusive to the .com world
***When #BAE #AQN has been deselfing (Whereby one complicity dissolves their own identity and ego through uploading as much information as possible onto the Internet.)
***When #BAE #AQN goes from unknown to Internet Famous
***When #BAE #AQN thinks that becoming Fake is the New Trend
***When #BAE #AQN discovers that online is meeting real
***When #BAE #AQN starts perceiving that you could lose sense of reality as real and Instagram blur into one and only thing
***When #BAE #AQN assumes that Instagram would like to access your entire life
***When #BAE #AQN perceives expectations of connectivity eliminates the possibility of solitude even though we're lonelier than ever
***When #BAE #AQN concludes that Loneliness is Failed Solitude
***When #BAE #AQN is constantly connected but increasingly isolated, insecure and lonely
***When #BAE #AQN outlines that Ego-Identity comes in the form of Self-Branding, Self-Presentation
***When #BAE #AQN feels like face to face conversation is the worst situation/scenario ever, you can't speak IRL anymore
***When #BAE #AQN experiences that being hangover inspires your online activation your online presence and your online persona
***When #BAE #AQN needs doses of likes several times a day to gain self confidence, and to develop an alter ego
***When #BAE #AQN ´s Life becomes Instagram-ish stylised
***When #BAE #AQN discovers that Instagram becomes your agency or art gallery, so that you work all day in a non remunerable way, posting, commenting and liking
***When #BAE #AQN wants you to be saved from what you really want (Instagram)
***When #BAE #AQN measures power through the amount of followers
***When #BAE #AQN says that women are supporting themselves in a very powerful way thanks to social media / Instagram
***When #BAE #AQN gets absorbed / hypnotised going into the Bermudas timezone, entering the internet at 9 pm and realising at 2.15 am that nothing has happened
**When #BAE #AQN 's online life becomes the game
***When #BAE #AQN is your Own Self
***When #BAE #AQN finds out that posting, commenting and liking has become the new immaterial job
***When #BAE #AQN discovers that real life coincidences have been replaced by Algorithms
***When #BAE #AQN realises that everyone can become an artist thanks to Instagram
***When #BAE #AQN can't stop producing and consuming Memes
***When #BAE #AQN realises that the Internet / Instagram never forgets
***When #BAE #AQN discovers that connection, privacy, solitude are totally new experiences
***When #BAE #AQN perceives that communication platforms become the vehicle for capitalist expansion
***When #BAE #AQN uploads digital identity and there's no way back
***When Instagram becomes your #BAE #AQN
June 27th - July 24th, 2015
Opening July 9th, 2015
Debora Delmar Corp, Francisco Cordero Oceguera, Alex DeCarli, Adrienne Garbini, Natalia Ibáñez Lario, Adriana Lara, Theo Michael, Dmitri Obergfell, Zach Reini, SANGREE
June 11th – July 19th, 2015
@nataliailario
Day 2 of 4D facelift - face is still a bit swollen (but I´m loving the puffiness of the apples) and needle marks sire to
the touch. But my nasolabial lines are almost all gone! Best results will be seen in a month´s time.
OMG you got it done!
@lilpil99
Yep did it yesterday at Star Clinic by Dr Chiu. Love it and love him too - he´s so nice!
@tinnipoo
! ! !
@lilpil99
Yay! And finally got my Moschino iphone case by Jeremy Scott! #moschino #jeremyscott #itsjeremyscott
@tinnipoo
MOSCHINO CASE! So quirky but soooo cool!!! So in love! Need it! CONGRATS for both 4D facelift and Moschino case!
kinda jealous lololololol ;)))
He´s done all mine and my hubbys injectables and we both worship him
$4000ntd hehe I´ve been going since I was 27 :) (...)
Surgery & Maccaron!
( Also pictured Isa Genzken )
Audio by Julián Lede
Exposé # 9 Dashboard Widgets Mission Control, Single Channel Video Color 12´11", Audio by Julián Lede, 2013
Interior 301
Natalia Ibáñez Lario, Zora Mann, Josh Mannis, Christian Newby, Julie Voyce, Alexander Wolff
Curated by Dorothée Dupuis at Galerie Alain Gutharc
In the resonance with "Nouvelles Vagues"
The Young Curators' Season 2013 at Palais de Tokyo
www.palaisdetokyo.com
Exposé # 7 Dashboard Widgets, Single Channel Video Color 6´23", Audio by Julián Lede, 2013
Modify, as needed, MOCA, Museum of Contempoary Art, North Miami, 2011, curated by Ruba Katrib
"Modify, as needed," installation view at the Museum of Contemporary Art, North Miami. Photo: Steven Brooke, 2011 (also pictured Darren Bader, Adriana Lara and Anders Smeybe)
15 minutos de FAMA, Zócalo 2013, Mexico City, a Project of Natalia Ibáñez Lario and Julián Lede / Silverio
15 minutos de FAMA en el Zócalo, Mexico City from Natalia Ibáñez Lario on Vimeo.
Salto a la FAMA as part of the exhibition Los Irrespetuosos / Museo de Arte Carrillo Gil, México Df, 2012, music played by Julián Lede / Silverio
Canon 4400, TWAIN, Generación 2011 Art Prize, La Casa Encendida, Madrid 2011
Facepainting, pupilentes y otros accesorios
SOMA Summer Open Studios 2013
Music composed by Julian Lede / Silverio for nataliaibanezlario.org
Expo Raw Material, Yautepec Gallery, MACO 2013, Mexico City
Group Show Dancing Circles
Andrew Birk, Ulrike Buck, Christian Camacho, Aldo Chaparro, Isaac Contreras, Dj New Jersey Drone, Rachel De Joode, Debora Delmar Corp., Tomás Diaz Cedeño, Manuel Forte, Yann Gerstberger, Katie Hickman, Natalia Ibáñez Lario, Tamara Ibarra, Theo Michael, Luis Nava, Gregor Rozanski, Gabriel Rosas Aleman, Leonel Salguero, Sangree, Kate Steciw
Cuarto de Proyectos exterior, SOMA, 2013
State of Exception, Mexico City, 2012
Painting Palettes and Other Tecniques of the Masters (III)
SOMA Open Studios, Mexico City, 2012
Bi-White (II), Transient, Córdova 25, Mexico City, 2012
Painting Palettes and Other Tecniques of The Masters (IV), NO/EXPO, Yautepec Gallery, Mexico City, 2012
Painting Palettes and Other Techniques of the Masters, Mexico city, 2012, Subasta SOMA, 2012
nataliaibanezlario.org a Project by Natalia Ibáñez Lario, at SOMA, Mexico City.
Music composed by Julian Lede / Silverio for nataliaibanezlario.org
Music by Julián Lede / Silverio Vocals by Natalia Ibáñez Lario
EL ARTE ES PARA PUTOS, A project of Natalia Ibáñez Lario and Su Majestad Imperial Silverio, Camapaña MACO, 2012
Puto dícese del cobarde, del pusilánime.
BEST OF BEST OF BEST OF, Asociación Libre, Mexico City, 2012, organized by Patrick Alt and Marco Schmitt
15 minutos de FAMA, SOMA, Mexico City, 2011, a project in collaboration with Julián Lede / Silverio
15 minutos de FAMA, SOMA, Mexico City, 2011
Press Esc To Exit Full screen Mode, Single Channel colo Video, 4´29", 2010-2013
Press Esc To Exit Full Screen Mode, 2010-2013, audio by Julián Lede
Exposé, TWAIN, Barcelona, 2010
Smiley
Gallery Sheet, 2 acrylic boxes fluorescent pink and yellow, 29,7 x 21x 4 cm each, 2010-2011
Ken Burns @ CIA, Single Channel Vide, 5´03", 2010
Fractal Philosophy (and the small matter of learning how to listen), TWAIN, Sant Andreu Contemporari, Barcelona 2010
AD/HD
Single channel, 11'47", 2011
El (Inter) National (Psycho) Geographic, Proyectos Ultravioleta, Guatemala City, 2010
C-Prints El (Inter)National(Psycho)Geographic
We are The World (Policies and Restrictions), TWAIN, 2010
Accidents Waiting to Happen, Live With Animals Art Space, New York, 2010
Totally Without An Interesting Name, Antigua Casa Haiku, Curated by Alex Brahim, Barcelona, 2009
C-Prints Totally Without An Interesting Name
New Abstract Movement, TWAIN, Barcelona, 2009
Creative Destruction Versus Restrictive Practices I, TWAIN, 2010
Creative Destruction Versus Restrictive Practices II, TWAIN, 2010
Medallas / Medals, Barcelona, 2010