Natalia Ibáñez Lario

Upcomig, Bienal Pintura Museo Rufino Tamayo, opening reception August 14th, 2014, Mexico City

nataliaibanezlario.org a Project by Natalia Ibáñez Lario, at SOMA, Mexico City.

Music by Julian Lede for nataliaibanezlario.org

(●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ

*Appplied Arts* *Artes Aplicadas*, solo show, Museo Pablo Serrano IAACC, Zaragoza, Spain, July 3rd_August 3rd, 2014

*Instagram*

tinnipoo ________________________________________________13 sem

tinnipoo #Cp #nopainnogain #forever21

tinnipoo Day 6 of 4D facelift - bruising coming thru but there´s more lift to the face than before! Nasolabial lines begone!!

tinnipoo @chefcaffy WTFFFFFF!!! That´s f extortion! My doctor is usually 10K per syringe and he has the hands of a god.
He´s done all mine and my hubbys injectables and we both worship him

chefcaffy @tinnipoo hee hee I can´t waint to hang out wif u!!! Haha I wanna be 18 again!

But u know I get botox done at 分
$4000ntd hehe I´ve been going since I was 27 :) (...)

tinnipoo @chefcaffy haha I can only hope to stay 25 at my age!
Surgery & Maccaron!

(●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ

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(●♡ᴗ♡●) ฅ ̳͒•ˑ̫• ̳͒ฅ♡ >__< :/ ♡ ᶜᵘᵗᵉ ♡ u__u ♡(•ི̛ᴗ•̛)ྀ b(=^‥^=)o ♡(•ི̛ᴗ•̛)ྀ

LA FÓRMULA ANTIENVEJECINIENTO Y ANTIMISERIA / THE ANTI-AGING AND ANTI-MISERY FORMULA, Solo show, Yautepc Gallery, Mexico City, 2014

LA FÓRMULA ANTIENVEJECINIENTO Y ANTIMISERIA / THE ANTI-AGING AND ANTI-MISERY FORMULA

Glorieta Insurgentes, Mexico City. Hoy en día. Tropically-tinged neo-goths customized like hearses that just left the set of Pimp My Ride — products as posture, status über alles. A bull market on young flesh and the transnational bodysnatchers are all in, buying futures at mere pesos and don’t the kids just love it. There’s no other direction but expiration. OMG youth is so hot right now. Forever 21? Not a chance, you’re already over the Hill Street Blues and you don’t even get that reference. But young flesh looks so good. To be moist again. Even the youth are buying youth. Why wait for estrogen when you’ve got parabens? They’re just hormoaning your name.

You don’t feel like yourself today. And you aren’t you. You’re the new you. You’ve been permanently modified. You rewrote your code, changed your program. You’re junkspace now. And I love what you do, don’t you know that you’re toxic?

Abstract biopharmaceutical humanoids buying organic produce for half inorganic bodies. Fluorescent alien dildos penetrating thick, hard, acrylic silhouettes. Manga contact lenses, silicon orthopedics, human hair and fantasy-color artificial extensions cast in resin prosthetic molds. Thermoformed Gutai scanner paintings of eukaryotic cells spreading their wet organelles all over fat brushstrokes of concha de nácar, snake and insect essences (and other cosmetic technologies).

Bi-white, self-tan, shine bright like a blood diamond.

Open happiness.

LA FÓRMULA ANTIENVEJECINIENTO Y ANTIMISERIA / THE ANTI-AGING AND ANTI-MISERY FORMULA

Glorieta Insurgentes, Ciudad de México. Hoy en día. Góticos tropicalmente teñidos y arreglados como carrozas fúnebres recién salidas del set de Enchúlame la máquina —los productos son postura, estatus über alles. Es una bolsa de valores en subida de piel joven, y allí están todos los usurpadores de cuerpos trasnacionales, comprando futuros por unos cuantos pesos y, ¿a poco no les encanta a los chavos? No hay más dirección que la caducidad. OMG la juventud está tan de moda ahorita. ¿Forever 21? Ni de broma, ya tienes más años que los Años maravillosos y ni siquiera sabes a qué me refiero. Pero la piel joven se ve tan bien. Estar hidratado nuevamente. Hasta la juventud está comprando juventud. ¿Para qué esperas al estrógeno cuando aquí tienes parabenos? Las hormonas están llamamando tu nombre.

Hoy no te sientes como tú mismo. Y tú no eres tú. Eres la versión nueva de ti. Permanentemente modificada. Reescribiste tu código, cambiaste tu programa. Ahora eres junkspace. Y me encanta lo que haces, ¿qué no sabes que eres tóxico?

Humanoides biofarmacológicos abstractos compran productos orgánicos para cuerpos mitad inorgánicos. Vibradores fluorescentes alienígenas penetran siluetas acrílicas, espesas y duras. Lentes de contacto de fans Manga, ortopedia de silicona, extensiones de pelo humano y sintéticas de colores fantasia forjadas en moldes prostéticos de resina. Pinturas termoformadas Gutai en escaners de células eukaryotas esparciendo sus orgánulos mojados en las anchas pinceladas de crema concha de nácar, y esencias de serpientes e insectos (así como otras tecnologías cosméticas).

Bi-White, autobronceado, brilla como un diamante de sangre.

Destapa la felicidad.

(Traducción por Gabriela Jauregui).

MATERIA ART FAIR 2014, Yautepec Gallery Booth

Débora Delmar and Natalia Ibáñez Lario

Pro Choice

Groupshow

Fabienne Audéoud, Natalie Czech, Olivia Dunbar, Sophie Erlund, Vidya Gastaldon, Isa Genzken, Isabella Girtanner, Roni Horn, Natalia Ibáñez Lario, Sherrie Levine, Yoan mudry, NG, Mai-Thu Perret, Beatriz Preciado, Carissa rodriguez, Kay Rosen, Anne Laure Sacriste, Cosima Von Bonin, Emily Wardill, Martina-Sofie Wildberger

Curated by Petunia

Fri Art, Centre d'art de Fribourg / Kunsthalle Freiburg / Fribourg Art Center

Switzerland

Pro Choice, Fri Art, Centre d'art de Fribourg / Kunsthalle Freiburg
( Also pictured Isa Genzken )

Dashboard Widgets #3, 2014
Audio by Julián Lede

Dashboard Widgets #3 from Natalia Ibáñez Lario on Vimeo.

Group Show, Demasiado Futuro, SOMA, Centro Cultural de España en México CCEMx, Mexico City

Exposé # 9 Dashboard Widgets Mission Control, Single Channel Video Color 12´11", Audio by Julián Lede, 2013

Interior 301

Natalia Ibáñez Lario, Zora Mann, Josh Mannis, Christian Newby, Julie Voyce, Alexander Wolff

Curated by Dorothée Dupuis at Galerie Alain Gutharc

In the resonance with "Nouvelles Vagues"
The Young Curators' Season 2013 at Palais de Tokyo
www.palaisdetokyo.com

Exposé # 7 Dashboard Widgets, Single Channel Video Color 6´23", Audio by Julián Lede, 2013

Modify, as needed, MOCA, Museum of Contempoary Art, North Miami, 2011, curated by Ruba Katrib

"Modify, as needed," installation view at the Museum of Contemporary Art, North Miami. Photo: Steven Brooke, 2011 (also pictured Darren Bader, Adriana Lara and Anders Smeybe)

15 minutos de FAMA, Zócalo 2013, Mexico City, a Project of Natalia Ibáñez Lario and Julián Lede / Silverio

15 minutos de FAMA en el Zócalo, Mexico City from Natalia Ibáñez Lario on Vimeo.

15 minutos de FAMA, a project of Natalia Ibáñez Lario and Julián Lede / Silverio, installation view at Museo Experimental El Eco, Mexico City

Salto a la FAMA, Los irrespetuosos / The Disrespectful / Die Respektlosen, Museo de Arte Carrillo Gil, MACG, Mexico City, 2012

Salto a la FAMA as part of the exhibition Los Irrespetuosos / Museo de Arte Carrillo Gil, México Df, 2012, music played by Julián Lede / Silverio

Canon 4400, TWAIN, Generación 2011 Art Prize, La Casa Encendida, Madrid 2011

Facepainting, pupilentes y otros accesorios
SOMA Summer Open Studios 2013

Music composed by Julian Lede / Silverio for nataliaibanezlario.org



Expo Raw Material, Yautepec Gallery, MACO 2013, Mexico City

Group Show Dancing Circles

Andrew Birk, Ulrike Buck, Christian Camacho, Aldo Chaparro, Isaac Contreras, Dj New Jersey Drone, Rachel De Joode, Debora Delmar Corp., Tomás Diaz Cedeño, Manuel Forte, Yann Gerstberger, Katie Hickman, Natalia Ibáñez Lario, Tamara Ibarra, Theo Michael, Luis Nava, Gregor Rozanski, Gabriel Rosas Aleman, Leonel Salguero, Sangree, Kate Steciw

Cuarto de Proyectos exterior, SOMA, 2013

State of Exception, Mexico City, 2012

Painting Palettes and Other Tecniques of the Masters (III)

SOMA Open Studios, Mexico City, 2012

Bi-White (II), Transient, Córdova 25, Mexico City, 2012

Painting Palettes and Other Tecniques of The Masters (IV), NO/EXPO, Yautepec Gallery, Mexico City, 2012

Painting Palettes and Other Techniques of the Masters, Mexico city, 2012, Subasta SOMA, 2012

nataliaibanezlario.org a Project by Natalia Ibáñez Lario, at SOMA, Mexico City.

Music composed by Julian Lede / Silverio for nataliaibanezlario.org

Music by Julián Lede / Silverio Vocals by Natalia Ibáñez Lario

EL ARTE ES PARA PUTOS, A project of Natalia Ibáñez Lario and Su Majestad Imperial Silverio, Camapaña MACO, 2012

Puto dícese del cobarde, del pusilánime.

BEST OF BEST OF BEST OF, Asociación Libre, Mexico City, 2012, organized by Patrick Alt and Marco Schmitt

15 minutos de FAMA, SOMA, Mexico City, 2011, a project in collaboration with Julián Lede / Silverio

15 minutos de FAMA, SOMA, Mexico City, 2011

Press Esc To Exit Full screen Mode, Single Channel colo Video, 4´29", 2010-2013

Press Esc To Exit Full Screen Mode, 2010-2013, audio by Julián Lede


strong

Exposé, TWAIN, Barcelona, 2010

Smiley

CIA Centro de Investigaciones Artísticas, TWAIN, curated by Dean Daderko, Centro Cultural Recoleta, Buenos Aires, 2010-2011

Gallery Sheet, 2 acrylic boxes fluorescent pink and yellow, 29,7 x 21x 4 cm each, 2010-2011

Ken Burns @ CIA, Single Channel Vide, 5´03", 2010

Fractal Philosophy (and the small matter of learning how to listen), TWAIN, Sant Andreu Contemporari, Barcelona 2010

AD/HD
Single channel, 11'47", 2011

El (Inter) National (Psycho) Geographic, Proyectos Ultravioleta, Guatemala City, 2010




C-Prints El (Inter)National(Psycho)Geographic


We are The World (Policies and Restrictions), TWAIN, 2010

Accidents Waiting to Happen, Live With Animals Art Space, New York, 2010

Totally Without An Interesting Name, Antigua Casa Haiku, Curated by Alex Brahim, Barcelona, 2009

C-Prints Totally Without An Interesting Name


New Abstract Movement
, TWAIN, Barcelona, 2009

Creative Destruction Versus Restrictive Practices I, TWAIN, 2010

Creative Destruction Versus Restrictive Practices II, TWAIN, 2010

Medallas / Medals, Barcelona, 2010